توضیحات
An audacious, compassionate state-of-the-nation novel about four strangers whose lives collide with far-reaching consequences.
Beatrice Kizza, a woman in flight from a homeland that condemned her for daring to love, flees to London. There, she shields her sorrow from the indifference of her adopted city, and navigates a night-time world of shift-work and bedsits.
Howard Pink is a self-made millionaire who has risen from Petticoat Lane to the mansions of Kensington on a tide of determination and bluster. Yet self-doubt still snaps at his heels and his life is shadowed by the terrible loss that has shaken him to his foundations.
Carol Hetherington, recently widowed, is living the quiet life in Wandsworth with her cat and The Jeremy Kyle Show for company. As she tries to come to terms with the absence her husband has left on the other side of the bed, she frets over her daughter’s prospects and wonders if she’ll ever be happy again.
Esme Reade is a young journalist learning to muck-rake and doorstep in pursuit of the elusive scoop, even as she longs to find some greater meaning and leave her imprint on the world.
Four strangers, each inhabitants of the same city, where the gulf between those who have too much and those who will never have enough is impossibly vast. But when the glass that separates Howard’s and Beatrice’s worlds is shattered by an inexcusable act, they discover that the capital has connected them in ways they could never have imagined.
**
Review
Highly convincing. ‘The Independent’
Confident . . . Day reveals a riveting panorama of London now. She has a journalist’s eye for detail as well as an eminently sensible wit . . . As a state-of-the-city novel, it’s richer than John Lancaster’s ‘Capital ‘and less pleased with itself than Ian McEwan’s ‘Saturday.’ ‘Evening Standard’
Ambitious . . . Day’s protagonists are rounded and believable, and the big city–in all its maddening, bustling glory–is the unofficial fifth character. ‘Glamour’
A seriously good book–intelligent, thought-provoking, funny and tender, it should be a smash this summer. ‘Sunday Mirror’
Elegant, sprightly prose . . . [‘Paradise City’] signals the emergence of a literary novelist whose optimism and generosity should gain her a much bigger audience. ‘Sunday Telegraph’
Day has demonstrable empathy for the outsider in all of us . . . [yet] a sharp satirical eye. ‘Daily Mail’
An elegant, clever story . . . an addictive page-turner. ‘The Observer’
Richly written. ‘The Spectator’
A striking portrait of lives in contemporary London. ‘Harper’s Bazaar’
The wonder of London, arguably the greatest of all cities of literature, is lovingly and meticulously painted . . . Enthralling . . . moving and convincing . . . It reminds me to some extent of the writing of Penelope Lively, Margaret Drabble, Maeve Binchy or Catherine Dunne. Like those writers Day writes excellent, accessible prose. She has the true novelist’s gift of being able to bring us right into the lives of her characters; into their city, into their homes and into their heads. ‘Irish Times’
Day’s journalistic experience clearly infuses her novel . . . Her characters have fully documented psychologies, rounded out with precise detail, and her plot, although it invokes big issues–race, class, sexism–delivers shrewd, well-paced storytelling . . . This is unusual, well-crafted storytelling enhanced by some telling emotional notes. ‘Kirkus Reviews’
‘Surprising and rewarding. Through standout prose, including some brilliant imagery, she uses her characters and situations to describe a London that reveals ‘all its grubby glamor, all its twisted secrets and oozing promise of possibility.” ‘Publishers Weekly”
Highly convincing. ‘The Independent’
Ambitious . . . Day’s protagonists are rounded and believable, and the big city–in all its maddening, bustling glory–is the unofficial fifth character. ‘Glamour’
Confident . . . Day reveals a riveting panorama of London now. She has a journalist’s eye for detail as well as an eminently sensible wit . . . As a state-of-the-city novel, it’s richer than John Lancaster’s ‘Capital ‘and less pleased with itself than Ian McEwan’s ‘Saturday.’ ‘Evening Standard’
A seriously good book–intelligent, thought-provoking, funny and tender, it should be a smash this summer. ‘Sunday Mirror’
Elegant, sprightly prose . . . [‘Paradise City’] signals the emergence of a literary novelist whose optimism and generosity should gain her a much bigger audience. ‘Sunday Telegraph’
Day has demonstrable empathy for the outsider in all of us . . . [yet] a sharp satirical eye. ‘Daily Mail’
An elegant, clever story . . . an addictive page-turner. ‘The Observer’
Richly written. ‘The Spectator’
A striking portrait of lives in contemporary London. ‘Harper’s Bazaar’
The wonder of London, arguably the greatest of all cities of literature, is lovingly and meticulously painted . . . Enthralling . . . moving and convincing . . . It reminds me to some extent of the writing of Penelope Lively, Margaret Drabble, Maeve Binchy or Catherine Dunne. Like those writers Day writes excellent, accessible prose. She has the true novelist’s gift of being able to bring us right into the lives of her characters; into their city, into their homes and into their heads. ‘Irish Times’
Day’s journalistic experience clearly infuses her novel . . . Her characters have fully documented psychologies, rounded out with precise detail, and her plot, although it invokes big issues–race, class, sexism–delivers shrewd, well-paced storytelling . . . This is unusual, well-crafted storytelling enhanced by some telling emotional notes. ‘Kirkus Reviews’
‘Surprising and rewarding. Through standout prose, including some brilliant imagery, she uses her characters and situations to describe a London that reveals ‘all its grubby glamor, all its twisted secrets and oozing promise of possibility.” ‘Publishers Weekly’
‘Engrossing . . . [‘Paradise City’] follows the paths of four Londoners so different from each other that the reader eagerly flips the pages to learn how they will intersect . . . [It] gallops ahead happily with a mix of insight [and] humor.’ ‘New York Journal of Books’
”’A compassionate but upbeat look at four interlocking lives in contemporary London. The novel is both thoughtful and witty, unafraid of tackling big subjects (sexual assault, political asylum) even as it finds joy in small human connections . . . An intelligent, well-written novel with depth and heart.’ ‘BookPage’
”Paradise City ‘is beautifully written and closely observed, but its strength lies in Day’s compassion for her characters and her understanding that, beneath the surface, the strivers and the invisible, the glittering and the lonely, are people united by the universal need for acceptance and love.’ ‘ShelfAwareness’
‘An emotional story fueled by its characters and the potency of a city.’ ‘Bustle, 13 of December 2015 s Best Books to Go With Your Holiday Cheer ‘
”’A moving portrait of the insecurities that define the human experience . . . Engaging and fast-paced, ‘Paradise City’walks the line between engrossing drama and nuanced personal narrative. Day explores the intersection between the external and the internal, joining disparate spheres to give her characters the sense of belonging they so desperately desire.’ ‘Paste”
‘[A] moving novel about loneliness and identity . . . As [the] beautifully drawn characters cross paths in contemporary London, each finds unexpected solace, insight, and hope, leaving readers with a bittersweet but abiding optimism about humanity.’ ‘People Magazine, ”Book of the Week’
A striking portrait of lives in contemporary London. ‘Harper’s Bazaar’
Ambitious . . . Day’s protagonists are rounded and believable, and the big city–in all its maddening, bustling glory–is the unofficial fifth character. ‘Glamour’
‘Engrossing . . . [‘Paradise City’] follows the paths of four Londoners so different from each other that the reader eagerly flips the pages to learn how they will intersect . . . [It] gallops ahead happily with a mix of insight [and] humor.’ ‘New York Journal of Books’
Confident . . . Day reveals a riveting panorama of London now. She has a journalist’s eye for detail as well as an eminently sensible wit . . . As a state-of-the-city novel, it’s richer than John Lancaster’s ‘Capital ‘and less pleased with itself than Ian McEwan’s ‘Saturday.’ ‘Evening Standard’
A seriously good book–intelligent, thought-provoking, funny and tender, it should be a smash this summer. ‘Sunday Mirror’
Elegant, sprightly prose . . . [‘Paradise City’] signals the emergence of a literary novelist whose optimism and generosity should gain her a much bigger audience. ‘Sunday Telegraph’
An elegant, clever story . . . an addictive page-turner. ‘The Observer’
Richly written. ‘The Spectator’
Highly convincing. ‘The Independent’
The wonder of London, arguably the greatest of all cities of literature, is lovingly and meticulously painted . . . Enthralling . . . moving and convincing . . . It reminds me to some extent of the writing of Penelope Lively, Margaret Drabble, Maeve Binchy or Catherine Dunne. Like those writers Day writes excellent, accessible prose. She has the true novelist’s gift of being able to bring us right into the lives of her characters; into their city, into their homes and into their heads. ‘Irish Times’
‘Surprising and rewarding. Through standout prose, including some brilliant imagery, she uses her characters and situations to describe a London that reveals ‘all its grubby glamor, all its twisted secrets and oozing promise of possibility.” ‘Publishers Weekly’
Day’s journalistic experience clearly infuses her novel . . . Her characters have fully documented psychologies, rounded out with precise detail, and her plot, although it invokes big issues–race, class, sexism–delivers shrewd, well-paced storytelling . . . This is unusual, well-crafted storytelling enhanced by some telling emotional notes. ‘Kirkus Reviews’
‘Come for the complex characters, stay for the author s exquisite prose.’ ‘Us Weekly’
Day has demonstrable empathy for the outsider in all of us . . . [yet] a sharp satirical eye. ‘Daily Mail’
”’A compassionate but upbeat look at four interlocking lives in contemporary London. The novel is both thoughtful and witty, unafraid of tackling big subjects (sexual assault, political asylum) even as it finds joy in small human connections . . . An intelligent, well-written novel with depth and heart.’ ‘BookPage’
”’A moving portrait of the insecurities that define the human experience . . . Engaging and fast-paced, ‘Paradise City’walks the line between engrossing drama and nuanced personal narrative. Day explores the intersection between the external and the internal, joining disparate spheres to give her characters the sense of belonging they so desperately desire.’ ‘Paste’
‘By turns funny and shocking, ‘Paradise City ‘is a novel of and for our time.’ ‘Paste, ’30 Best Fiction Books of 2015”
”’As an exploration of urban life, ‘ Paradise City’ is great. As an examination of the modern human condition, it is fantastic. Though Day clearly puts effort into giving her characters depth, the result doesn’t feel forced or overwritten . . . Intelligent and easy . . . provocative and entertaining . . . The book tackles some serious issues, like sorrow and isolation, but balances the heaviness with some lightness and lots of heart. It s optimistic without being predictable or saccharine, and elegant without being fussy.’ ‘Bookreporter.com’
‘An emotional story fueled by its characters and the potency of a city.’ ‘Bustle, 13 of December 2015 s Best Books to Go With Your Holiday Cheer ‘
‘Both sensitive and cuttingly astute . . . ‘Paradise City ‘is beautifully written and closely observed, but its strength lies in Day’s compassion for her characters and her understanding that, beneath the surface, the strivers and the invisible, the glittering and the lonely, are people united by the universal need for acceptance and love.’ Jeanette Zwart, ‘Shelf Awareness’
‘Every character is richly detailed and Day’s clear, sharp prose had me relating to their every feeling from wild, unexpected happiness to deep, thudding sadness. I can’t remember the last time I enjoyed a book this much!’ Lauren Peugh, ‘Shelf Awareness”
‘[A] moving novel about loneliness and identity . . . As [the] beautifully drawn characters cross paths in contemporary London, each finds unexpected solace, insight, and hope, leaving readers with a bittersweet but abiding optimism about humanity.’ —People Magazine, ‘Book of the Week’
‘A striking portrait of lives in contemporary London.’ —Harper’s Bazaar
‘Ambitious . . . Day’s protagonists are rounded and believable, and the big city–in all its maddening, bustling glory–is the unofficial fifth character.’ —Glamour
‘Engrossing . . . [Paradise City] follows the paths of four Londoners so different from each other that the reader eagerly flips the pages to learn how they will intersect . . . [It] gallops ahead happily with a mix of insight [and] humor.’ —New York Journal of Books
‘Confident . . . Day reveals a riveting panorama of London now. She has a journalist’s eye for detail as well as an eminently sensible wit . . . As a state-of-the-city novel, it’s richer than John Lancaster’s Capital and less pleased with itself than Ian McEwan’s Saturday.’ —Evening Standard
‘A seriously good book–intelligent, thought-provoking, funny and tender, it should be a smash this summer.’ —Sunday Mirror
‘Elegant, sprightly prose . . . [Paradise City] signals the emergence of a literary novelist whose optimism and generosity should gain her a much bigger audience.’ —Sunday Telegraph
‘An elegant, clever story . . . an addictive page-turner.’ —The Observer
‘Richly written.’ —The Spectator
‘Highly convincing.’ —The Independent
‘The wonder of London, arguably the greatest of all cities of literature, is lovingly and meticulously painted . . . Enthralling . . . moving and convincing . . . It reminds me to some extent of the writing of Penelope Lively, Margaret Drabble, Maeve Binchy or Catherine Dunne. Like those writers Day writes excellent, accessible prose. She has the true novelist’s gift of being able to bring us right into the lives of her characters; into their city, into their homes and into their heads.’ —Irish Times
‘Surprising and rewarding. Through standout prose, including some brilliant imagery, she uses her characters and situations to describe a London that reveals ‘all its grubby glamor, all its twisted secrets and oozing promise of possibility.” —Publishers Weekly
‘Day’s journalistic experience clearly infuses her novel . . . Her characters have fully documented psychologies, rounded out with precise detail, and her plot, although it invokes big issues–race, class, sexism–delivers shrewd, well-paced storytelling . . . This is unusual, well-crafted storytelling enhanced by some telling emotional notes.’ —Kirkus Reviews
‘Come for the complex characters, stay for the author’s exquisite prose.’ —Us Weekly
‘Day has demonstrable empathy for the outsider in all of us . . . [yet] a sharp satirical eye.’ —Daily Mail
‘A compassionate but upbeat look at four interlocking lives in contemporary London. The novel is both thoughtful and witty, unafraid of tackling big subjects (sexual assault, political asylum) even as it finds joy in small human connections . . . An intelligent, well-written novel with depth and heart.’ —BookPage
‘A moving portrait of the insecurities that define the human experience . . . Engaging and fast-paced, Paradise Citywalks the line between engrossing drama and nuanced personal narrative. Day explores the intersection between the external and the internal, joining disparate spheres to give her characters the sense of belonging they so desperately desire.’ —Paste
‘By turns funny and shocking, Paradise City is a novel of and for our time.’ —Paste, ’30 Best Fiction Books of 2015′
‘As an exploration of urban life, * Paradise City is great. As an examination of the modern human condition, it is fantastic. Though Day clearly puts effort into giving her characters depth, the result doesn’t feel forced or overwritten . . . Intelligent and easy . . . provocative and entertaining . . . The book tackles some serious issues, like sorrow and isolation, but balances the heaviness with some lightness and lots of heart. It’s optimistic without being predictable or saccharine, and elegant without being fussy.’ —Bookreporter.com*
‘An emotional story fueled by its characters and the potency of a city.’ —Bustle, ’13 of December 2015’s Best Books to Go With Your Holiday Cheer’
‘Both sensitive and cuttingly astute . . . Paradise City is beautifully written and closely observed, but its strength lies in Day’s compassion for her characters and her understanding that, beneath the surface, the strivers and the invisible, the glittering and the lonely, are people united by the universal need for acceptance and love.’ –Jeanette Zwart, Shelf Awareness
‘Every character is richly detailed and Day’s clear, sharp prose had me relating to their every feeling from wild, unexpected happiness to deep, thudding sadness. I can’t remember the last time I enjoyed a book this much!’ –Lauren Peugh, Shelf Awareness
Book Description
An audacious, compassionate state-of-the-nation novel about four strangers whose lives collide with far-reaching consequences
Library : General
Formats : EPUB
ISBN : 9781408855027
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ترجمه ماشینی :
یک رمان متهورانه و دلسوزانه در مورد چهار غریبه که زندگی آنها با عواقب گسترده ای مواجه می شود.
بیتریس کیزا، زنی در حال فرار از سرزمینی که او را محکوم کرده است. بخاطر جرات عشق ورزی، به لندن می گریزد. در آنجا، او غم و اندوه خود را در برابر بیتفاوتی شهر مورد قبول خود محافظت میکند و در دنیای شبانه شیفت کاری و خوابیدن در رختخواب میگذرد.
هوارد پینک یک میلیونر خودساخته است که از آنجا برخاسته است. Petticoat Lane به عمارت های کنزینگتون در موجی از عزم و اراده. با این حال، تردید به خود هنوز در پاشنههای او فرو میرود و زندگیاش تحتالشعاع فقدان وحشتناکی است که او را تا حد زیادی تکان داده است.
کارول هترینگتون، که اخیراً بیوه شده است، زندگی آرامی را در واندسورث سپری میکند. گربه او و نمایش جرمی کایل برای شرکت. در حالی که سعی می کند با غیبتی که شوهرش در آن سوی تخت ترک کرده است کنار بیاید، از آینده دخترش ناراحت است و به این فکر می کند که آیا او دوباره خوشحال خواهد شد.
اسمه. رید یک روزنامهنگار جوان است که یاد میگیرد در تعقیب دستکم دست نیافتنی، خرخر کند و پا به در بگذارد، حتی اگر میخواهد معنایی بزرگتر بیابد و اثر خود را در جهان به جای بگذارد.
چهار غری
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