توضیحات
Early Christianity developed in a world where moral significance was often judged based upon physical appearance alone. Exploring the manifestations of this ancient ‘science’ of physiognomy, Parsons rightly shows how Greco-Roman society, and by consequence the author of Luke and Acts, was steeped in this tradition. Luke, however, employs these principles in his writings in order to subvert the paradigm. Using as examples the bent woman (Luke 13), Zacchaeus (Luke 18), the lame man (Acts 3-4), and the Ethiopian eunuch (Acts 8), Parsons shows that the Christian communityboth early and present-dayis established only in the image of Jesus Christ.
Editorial Reviews
Review
‘Not many books really break new ground. This one does. Parsons cast Luke’s descriptions of the bent woman, Zacchaeus, the lame man, and the Ethiopian eunuch in a new light and shows how the gospel radically challenges cultural conventions and speaks a word of grace.’Alan Culpepper, Dean, McAfee School of Theology
‘With a stunning command of both ancient sources and contemporary scholarship, Parsons offers a trove of fresh insights on physically challenged figures in Luke and Acts. Readers of this carefully argued work will never look at the bent woman, the diminutive Zacchaeus, the lame man (Acts 3), and the Ethiopian eunuch the same way again. Deformed bodies (by conventional standards) pose no barriers to transformed character through dynamic encounters with the Lukan Jesus and his emissaries. Such experiences mount a poignant resistance to prejudicial and superficial profiling in Luke’s dayand ours.’F. Scott Spencer, Professor of New Testament, Baptist Theological Seminary at Richmond
‘Parsons trains his eagle eye on details missed by most scholars. The results are fascinating and unexpected, throwing fresh light on attitudes to bodily characteristics in Luke’s day before bringing us back to our world with a theological jolt.’Graham Stanton (1940-2009), Lady Margaret’s Professor of Divinity, University of Cambridge
Review
With a stunning command of both ancient sources and contemporary scholarship, Parsons offers a trove of fresh insights on physically challenged figures in Luke and Acts. Readers of this carefully argued work will never look at the bent woman, the diminutive Zacchaeus, the lame man (Acts 3), and the Ethiopian eunuch the same way again. Deformed bodies (by conventional standards) pose no barriers to transformed character through dynamic encounters with the Lukan Jesus and his emissaries. Such experiences mount a poignant resistance to prejudicial and superficial profiling in Luke’s dayand ours.
(F. Scott Spencer, Professor of New Testament, Baptist Theological Seminary at Richmond)
Parsons trains his eagle eye on details missed by most scholars. The results are fascinating and unexpected, throwing fresh light on attitudes to bodily characteristics in Luke’s day before bringing us back to our world with a theological jolt.
(Graham Stanton (1940-2009), Lady Margarets Professor of Divinity, University of Cambridge)
Not many books really break new ground. This one does. Parsons cast Luke’s descriptions of the bent woman, Zacchaeus, the lame man, and the Ethiopian eunuch in a new light and shows how the gospel radically challenges cultural conventions and speaks a word of grace.
(Alan Culpepper, Dean, McAfee School of Theology)
From the Inside Flap
How the gospel writer and historian challenges ancient cultural conventions
About the Author
Mikeal C. Parsons is the Kidd L. and Buna Hitchcock Macon Chair in Religion at Baylor University. He is the author of numerous books including most recently Luke: A Handbook on the Greek Text and Acts: A Handbook on the Greek Text, and the editor of The Acts of the Apostles: Four Centuries of Baptist Interpretation. Parsons lives in Waco, Texas.
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ترجمه ماشینی :
مسیحیت اولیه در جهانی توسعه یافت که اهمیت اخلاقی آن اغلب تنها بر اساس ظاهر فیزیکی مورد قضاوت قرار می گرفت. پارسونز با کاوش در مظاهر این «علم» باستانی قیافهشناسی، به درستی نشان میدهد که چگونه جامعه یونانی-رومی، و در نتیجه نویسنده لوقا و اعمال رسولان، در این سنت غرق شدهاند. با این حال، لوقا این اصول را در نوشته های خود به کار می گیرد تا پارادایم را زیر و رو کند. پارسونز با استفاده از ز
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