توضیحات
SUMMARY:
From the bestselling author of Running with Scissors comes Drythe hilarious, moving, and no less bizarre account of what happened next.You may not know it, but you’ve met Augusten Burroughs. You’ve seen him on the street, in bars, on the subway, at restaurants: a twenty-something guy, nice suit, works in advertising. Regular. Ordinary. But when the ordinary person had to drinks, Augusten was circling the drain by having twelve; when the ordinary person went home at midnight, Augusten never went home at all. Loud, distracting ties, automated wake-up calls, and cologne on the tongue could only hide so much for so long. At the request (well, it wasn’t really a request) of his employers, Augusten landed in rehab, where his dreams of group therapy with Robert Downey, Jr., are immediately dashed by the grim reality of fluorescent lighting and paper hospital slippers. But when Augusten is forced to examine himself, something actually starts to click, and that’s when he finds himself in the worst trouble of all. Because when his thirty days are up, he has to return to his same drunken Manhattan lifeand live it sober. What follows is a memoir that’s as moving as it is funny, as heartbreaking as it is real. Dry is the story of love, loss, and Starbucks as a higher power. Augusten Burroughs is the author of Running with Scissors and Sellevision. He lives in New York City. You may not know it, but you’ve met Augusten Burroughs. You’ve seen him on the street, in bars, on the subway, at restaurants: a twenty-something guy, nice suit, works in advertising. Regular. Ordinary. But when the ordinary person had two drinks, Augusten was circling the drain by having twelve; when the ordinary person went home at midnight, Augusten never went home at all. Loud, distracting ties, automated wake-up calls, and cologne on the tongue could only hide so much for so long. At the request (well, it wasn’t really a request) of his employers, Augusten landed in rehab, where his dreams of group therapy with Robert Downey, Jr., are immediately dashed by the grim reality of fluorescent lighting and paper hospital slippers. But when Augusten is forced to examine himself, something actually starts to click, and that’s when he finds himself in the worst trouble of all. Because when his thirty days are up, he has to return to his same drunken Manhattan lifeand live it sober. What follows is a memoir that’s as moving as it is funny, as heartbreaking as it is real. Dry is the story of love, loss, and Starbucks as a higher power. ‘Beneath the quick-flowing, funny-sad surface of Burroughs’s prose lurks considerable complexity: wherever he goes, whatever he’s doing, you can feel how badly he wants to drinkas well as the sadness from which that desire comes and courage it takes to make the sadness so funny, all at the same time. If anything, Dry is even more compelling than Burroughs’s first outing.’Time’More than a heartbreaking tale; it’s a heroic one. As with its predecessor, we finish the book amazed not only that Burroughs can write so brilliantly, but that he’s even alive.’People'[A] wrenching, edifying journey . . . with the added benefit of being really entertaining.’The New York Times Book Review ‘A deeper book than Scissors, revealing Burroughs to be a more accomplished writer, creating scenes of real power.’USA Today ‘Augusten Burroughs is a wickedly good writer . . . Dry is a great read. Grade A.’Chicago Sun-Times ‘What makes Dry juicy enough to hold us rapt is not sordid debauchery but the clarity with which Burroughs etches the perilously thin line between control and oblivion. Burroughs draws the cliff so eloquently that we’re right there with him when he starts flirting with the brink . . . One day at a time, Burroughs builds a deliberate but compelling story, lining up the shots for us until we have no choice but to knock each one back and then turn the page for the next.’San Francisco Chronicle ‘Augusten Burroughs’s Dry: A Memoir, a brilliant, insightful, and fabulously funny book that charts his road to sobriety . . . Dry catches the reader off guard on every page, challenging what we’ve come to expect from rehab literature.’Paper magazine ‘When you are as self-deprecatingly funny and write as vividly and unpretentiously as Burroughs, well, I guess that’s free rein to write 100 memoirsand bring them on immediately.’The Star Tribune (Minneapolis)’Like the alcohol he so enjoys, Burroughs’s story of getting dry will go straight into your bloodstream and leave you buzzing, exhilarated, and wiped out. Burroughs is a malcontented, successful advertising copywriter in his twenties, gay, living in Manhattan, and owner of a childhood that the word ‘nightmare’ doesn’t even begin to cover (as described in Running with Scissors, 2002). Burroughs is an alcoholic . . . he is funny and dark . . . in his own half-mad way, he’s an original, a step aslant of the cutting edge, and wonderfully capable of expressing the miseries and sublimities of detox.’Kirkus Reviews (starred review) ‘Burroughs has a knack for ending up in depraved situations and a vibrant talent for writing about them . . . Readers accustomed to his heady cocktail of fizzy humor and epiphanic poignancy won’t be disappointed.’Publishers Weekly
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ترجمه ماشینی :
خلاصه:
از نویسنده پرفروش «دویدن با قیچی» روایت خندهدار، تکاندهنده و نه کمتر عجیب و غریب از اتفاقات بعدی درایث ارائه میشود. شاید ندانید، اما آگوستن باروز را ملاقات کردهاید. . او را در خیابان، بارها، مترو، رستوران ها دیده اید: یک پسر بیست و چند ساله، کت و شلوار زیبا، در تبلیغات کار می کند. منظم. معمولی. اما زمانی که یک فرد عادی مجبور به نوشیدن شد، آگوستن با داشتن دوازده، دور فاضلاب می چرخید. وقتی یک فرد معمولی نیمه شب به خانه می رفت، آگوستن اصلاً به خانه نمی رفت. کراواتهای بلند و حواسپرتی، زنگهای بیداری خودکار، و ادکلن روی زبان فقط میتوانستند این همه چیز را برای مدت طولانی پنهان کنند. آگوستن به درخواست (خب، واقعاً یک درخواست نبود) کارفرمایانش، در مرکز توانبخشی فرود آمد، جایی که رویاهای او برای درمان گروهی با رابرت داونی جونیور، فوراً با واقعیت تلخ نورهای فلورسنت و دمپایی های کاغذی بیمارستانی از بین رفت. . اما وقتی آگوستن مجبور میشود خودش را بررسی کند، چیزی در واقع شروع به کلیک کردن میکند و این زمانی است که او خود را در بدترین مشکل میبیند. چون وقتی سی روزش تمام میشود، باید به همان زندگی مستی منهتن بازگردد و هوشیارانه زندگی کند. آنچه در ادامه می آید خاطره ای است که به همان اندازه تکان دهنده و خنده دار است، به همان اندازه که واقعی است. Dry داستان عشق، از دست دادن و استارباکس به عنوان یک قدرت برتر است. آگوستن باروز نویسنده دویدن با قیچی و فروش فروش است. او در شهر نیویورک زندگی می کند. شاید ندانید، اما با آگوستن باروز آشنا شده اید. او را در خیابان، بارها، مترو، رستوران ها دیده اید: یک پسر بیست و چند ساله، کت و شلوار زیبا، در تبلیغات کار می کند. منظم. معمولی. اما وقتی یک فرد معمولی دو نوشیدنی مینوشید، آگوستن با نوشیدن دوازده نوشیدنی، دور فاضلاب میچرخید. وقتی یک فرد معمولی نیمه شب به خانه می رفت، آگوستن اصلاً به خانه نمی رفت. کراواتهای بلند و حواسپرتی، زنگهای بیداری خودکار، و ادکلن روی زبان فقط میتوانستند این همه چیز را برای مدت طولانی پنهان کنند. آگوستن به درخواست (خب، واقعاً یک درخواست نبود) کارفرمایانش، در مرکز توانبخشی فرود آمد، جایی که رویاهای او برای درمان گروهی با رابرت داونی جونیور، فوراً با واقعیت تلخ نورهای فلورسنت و دمپایی های کاغذی بیمارستانی از بین رفت. . اما وقتی آگوستن مجبور میشود خودش را بررسی کند، چیزی در واقع ش
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