توضیحات
‘Absorbing [and] astute . . . Cohen-Solal captures a facet of Picassos character long overlooked.’ Hamilton Cain, The Wall Street Journal
‘A beguiling read, as ingenious as it is ambitious . . . See Picasso and Paris shimmering with new light.’ Mark Braude, author of Kiki Man Ray: Art, Love, and Rivalry in 1920s Paris
Born from her probing inquiry into Picasso’s odyssey in France, which inspired a museum exhibition of the same name, historian Annie-Cohen Solals Picasso the Foreigner presents a bold new understanding of the artists career and his relationship with the country he called home.
Winner of the 2021 Prix Femina Essai
Before Picasso became Picassothe iconic artist now celebrated as one of Frances leading figureshe was constantly surveilled by the police. Amidst political tensions in the spring of 1901, he was flagged as an anarchist by the security servicesthe first of many entries in what would become an extensive case file. Though he soon became the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picassos art was largely excluded from public collections in France for the next four decades. The genius who conceived Guernica as a visceral statement against fascism in 1937 was even denied French citizenship three years later, on the eve of the Nazi occupation. In a country where the police and the conservative Acadmie des Beaux-Arts represented two major pillars of the establishment at the time, Picasso faced a triple stigmaas a foreigner, a political radical, and an avant-garde artist.
Picasso the Foreigner approaches the artists career and work from an entirely new angle, making extensive use of fascinating and long-understudied archival sources. In this groundbreaking narrative, Picasso emerges as an artist ahead of his time not only aesthetically but politically, one who ignored national modes in favor of contemporary cosmopolitan forms. Cohen-Solal reveals how, in a period encompassing the brutality of World War I, the Nazi occupation, and Cold War rivalries, Picasso strategized and fought to preserve his agency, eventually leaving Paris for good in 1955. He chose the south over the north, the provinces over the capital, and craftspeople over academicians, while simultaneously achieving widespread fame. The artist never became a citizen of France, yet he enriched and dynamized its culture like few other figures in the countrys history. This book, for the first time, explains how.
Includes color images
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ترجمه ماشینی :
‘جذب [و] زیرک. . . کوهن سولال وجهی از شخصیت پیکاسوس را به تصویر می کشد که مدت ها نادیده گرفته شده است. همیلتون کین، وال استریت ژورنال
خواندنی فریبنده، به همان اندازه که مبتکرانه و بلندپروازانه است. . . پیکاسو و پاریس را ببینید که با نور جدید می درخشند.’ مارک برود، نویسنده کیکی من ری: هنر، عشق و رقابت در پاریس دهه 1920
متولد از تحقیقات کاوشگر او در ادیسه پیکاسو در فرانسه، که الهامبخش نمایشگاه موزهای به همین نام بود، مورخ آنی کوهن سولال پیکاسو خارجی درک جدیدی را ارائه میکند. از حرفه هنرمندان و رابطه او با کشوری که او آن را خانه می نامید.
برنده جایزه Femina Essai 2021
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