توضیحات
We assume that words are posted (mailed or, in another sense, positioned) to communicate with others, to bridge distance and ‘wish you were here’. However, Vincent Kaufmann discovers in his chosen letter writers the urgency not to communicate, to keep their correspondents away, and, as it were, posted. The writer avoids real-life dialogue by way of letters, which then become proving grounds for the work to come. Whatever their intellectual, biographical or aesthetic value – compare Flaubert’s passionate dogmatizing to Baudelaire’s peevish nagging for money – letters teach writers how to appreciate the sound of their own voice and how to make a workable literary space. Distance gives the relentless letter writer the chance to become a writer. Kaufmann, with Lacan, says that what characterizes the literary text is the ability to get beyond a particular other to address the Other, which must be no one in particular. Kaufmann features several European writers, all of them avidly concerned about the destination of speech when it passes into writing. Among them: Kafka, obsessions spilling over, adoring his fiancee for her emptiness; Proust, master of suffering, with his interminable health bulletins, cancellations and condolences; Flaubert, an extraordinary letter writer, abandoning his mistress for the more seductive Emma Bovary; Baudelaire, determined in squalor, writing letters almost exclusively about his debts, as if to practise the art of escape and defiance; Mallarme, patron saint of litterateurs, whose vaunted Book disappears into salons and letters; Artaud, speaker in tongues, who wildly searched for authenticity through letters. Unending attention has been devoted to these important writers, but they seem new again when viewed in Kaufmann’s epistolary mirror. What they share is a taste, or need, for distance and perversion; we see them becoming ‘inhuman’ in order to textualize their lives. They are all modernists, and the definition of Modernism is thereby deepened. This book – rich in anecdote and humour – escorts literary theory into the no-man’s land stretching between the life and the word.
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ترجمه ماشینی :
ما فرض میکنیم که کلمات برای برقراری ارتباط با دیگران، پل زدن فاصله و “کاش اینجا بودی” پست میشوند (پست شده یا به معنایی دیگر قرار داده میشوند). با این حال، وینسنت کافمن در نامه منتخب خود متوجه میشود که نویسندگان نامههای خود را به عدم برقراری ارتباط، دور نگهداشتن خبرنگاران خود، و به قولی پست کردن، ضروری میداند. نویسنده از طریق نامهها از گفتوگوهای واقعی اجتناب میکند، که پس از آن به دلیلی برای اثبات کار در آینده میشوند. ارزش فکری، زندگینامهای یا زیباییشناختی آنها هر چه باشد – دگماتیسم پرشور فلوبر را با نق زدن بدلر برای پول مقایسه کنید – نامهها به نویسندگان میآموزند که چگونه از صدای صدای خود قدردانی کنند و چگونه یک
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