توضیحات
The first deeply researched and sustained biographical treatment of a man who has become recognized as a significant figure in American publishing, transatlantic modernism, and the development of obscenity law. Gertzmans wide-ranging knowledge of Roth and the startlingly diverse contexts in which he lived and worked makes this a penetrating and unsurpassed portrait not only of Roth but of the country he inhabited.Robert Spoo, coeditor ofEzra and Dorothy Pound: Letters in Captivity, 19451946
Gertzman is to be commended for braiding together so many underappreciated strands of twentieth-century literary, legal, and cultural history.Paul K. Saint-Amour, editor ofModernism and Copyright
Speaks very importantly and convincingly about American-Jewish identity, censorship, modern publishing, and twentieth-century literature. But equally important is the story the book tells about an enigmathe puzzling, contradictory, and often appealing figure of Samuel Roth, whose torturous and fascinating trail Gertzman chronicles with wit and insight.Mary Dearborn, author ofThe Happiest Man Alive: A Biography of Henry Miller
Samuel Roth was notorious for being a poet, a pornographer, and a pirate. While his own writing reflected the experience of immigrant Jews and he frequently went to prison on obscenity charges, he was mostly known as a bold literary pirate for issuing unauthorized editions of modernist sensations, includingUlyssesandLady Chatterleys Lover.
In the absence of an international copyright agreement and because works deemed obscene could not be copyrighted, what he did was not illegal. But it did violate the protocols of mutual fair dealing between publishers and authors. Those publications provoked an unprecedented international protest of writers, publishers, and intellectuals who eventually vilified Roth on two continents.
Roth was a man with an uncanny ability to recognize good contemporary writing and make it accessible to popular audiences. Ultimately, his dedication to the publication of indecent works broke down many of the censorship laws of the time, though he suffered greatly for his efforts. His story portrays a man who struggled with the moral quandaries of literary censorship in the mid-twentieth century, while trying to reconcile the lucrative act of disseminating provocative works and his own Judaism.
Gertzman is to be commended for braiding together so many underappreciated strands of twentieth-century literary, legal, and cultural history.Paul K. Saint-Amour, editor ofModernism and Copyright
Speaks very importantly and convincingly about American-Jewish identity, censorship, modern publishing, and twentieth-century literature. But equally important is the story the book tells about an enigmathe puzzling, contradictory, and often appealing figure of Samuel Roth, whose torturous and fascinating trail Gertzman chronicles with wit and insight.Mary Dearborn, author ofThe Happiest Man Alive: A Biography of Henry Miller
Samuel Roth was notorious for being a poet, a pornographer, and a pirate. While his own writing reflected the experience of immigrant Jews and he frequently went to prison on obscenity charges, he was mostly known as a bold literary pirate for issuing unauthorized editions of modernist sensations, includingUlyssesandLady Chatterleys Lover.
In the absence of an international copyright agreement and because works deemed obscene could not be copyrighted, what he did was not illegal. But it did violate the protocols of mutual fair dealing between publishers and authors. Those publications provoked an unprecedented international protest of writers, publishers, and intellectuals who eventually vilified Roth on two continents.
Roth was a man with an uncanny ability to recognize good contemporary writing and make it accessible to popular audiences. Ultimately, his dedication to the publication of indecent works broke down many of the censorship laws of the time, though he suffered greatly for his efforts. His story portrays a man who struggled with the moral quandaries of literary censorship in the mid-twentieth century, while trying to reconcile the lucrative act of disseminating provocative works and his own Judaism.
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ترجمه ماشینی :
اولین رفتار زندگینامهای عمیقاً تحقیق شده و پایدار درباره مردی که بهعنوان یک شخصیت مهم در نشریات آمریکایی، مدرنیسم فراآتلانتیک و توسعه قانون فحاشی شناخته شده است. دانش گسترده گرتزمن از راث و زمینههای شگفتانگیز متنوعی که در آن زندگی و کار میکرد، این تصویر را نه تنها از راث، بلکه از کشوری که در آن زندگی میکرد، به تصویری نافذ و بینظیر تبدیل میکند. رابرت اسپو، ویراستارازرا و دوروتی پاوند: نامهها در اسارت، 19451946
گرتزمن را باید به خاطر گرد هم آوردن بسیاری از رشته های نادیده گرفته شده از تاریخ ادبی، حقوقی و فرهنگی قرن بیستم ستود. Paul K. Saint-Amour، ویراستار مدرنیسم و حق چاپ
به طور بسیار مهم و قانع کننده ای در مورد هویت آمریکایی-یهودی، سانسور، نشر مدرن و ادبیات قرن بیستم صحبت می کند. اما به همان اندازه مهم داستانی است که کتاب درباره شخصیت معمایی، متناقض
گرتزمن را باید به خاطر گرد هم آوردن بسیاری از رشته های نادیده گرفته شده از تاریخ ادبی، حقوقی و فرهنگی قرن بیستم ستود. Paul K. Saint-Amour، ویراستار مدرنیسم و حق چاپ
به طور بسیار مهم و قانع کننده ای در مورد هویت آمریکایی-یهودی، سانسور، نشر مدرن و ادبیات قرن بیستم صحبت می کند. اما به همان اندازه مهم داستانی است که کتاب درباره شخصیت معمایی، متناقض
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