توضیحات
Warning: may contain non-design content — Why designers can’t think — Waiting for permission — How to become famous — In search of the perfect client — Histories in the making — Playing by Mr. Rand’s rules — David Carson and the end of print — Rob Roy Kelly’s old, Weird America — My phone call to Arnold Newman — Howard Roark lives — The real and the fake — Ten footnotes to a manifesto — The New York Times: Apocalypse Now, page A1 — Graphic design and the new certainties — Mark Lombardi and the ecstasy of conspiracy — George Kennan and the Cold War between form and content — Errol Morris blows up spreadsheet, thousands killed — Catharsis, salesmanship, and the limits of empire — Better nation-building through design — The T-shirt competition republicans fear most — India switches brands — Graphic designers, flush left? — Just say yes — Regrets only — The forgotten design legacy of the National Lampoon — McSweeney’s No. 13 and the revenge of the nerds — The book (cover) that changed my life — Vladimir Nabokov: father of hypertext — The final decline and total collapse of the American magazine cover — Information design and the placebo effect — Stanley Kubrick and the future of graphic design — I hear you’ve got script trouble: the designer as auteur — The idealistic corporation — Barthes on the ballpoint — The tyranny of the tagline — Ed Ruscha: when art rises to the level of graphic design — To hell with the simple paper clip — The man who saved Jackson Pollock — Homage to the squares — Eero Saarinen’s forty-year layover — The rendering and the reality — What we talk about when we talk about architecture — Colorama — Mr. Vignelli’s map — I hate ITC garamond — 1989: roots of revolution — The world in two footnotes — Logogate in Connecticut — The whole damn bus is cheering — The best artist in the world — The supersized, temporarily impossible world of Bruce McCall — The unbearable lightness of fred Marcellino — The comfort of style — Authenticity: a user’s guide — Designing under the influence — Me and my pyramid — On (design) bullshit — Call me shithead, or, what’s in a name? — Avoiding poor, lonely obvious — My favorite book is not about design (or is it?) — Rick Valicenti: this time it’s personal — Credit line goes here — Every New Yorker is a traget — I am a plagiarist — Looking for celebration, Florida — The great non-amber-colored hope — The mysterious power of context — The final days of AT & T — Designing Twyla Tharp’s upper room — Innovation is the new black — Wilson Pickett, desig597271n theorist, 1942-2006 — Design by committee — The persistence of the exotic menial — The road to hell: now paved with innovation! — When design is a matter of life or death — In praise of slow design — Massimo Vignelli’s pencil — On falling off a treadmill.
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ترجمه ماشینی :
هشدار: ممکن است حاوی محتوای غیر طراحی باشد -چرا طراحان نمی توانند فکر کنند -منتظر اجازه -چگونه مشهور شوند -در جستجوی مشتری کامل -تاریخچه های ساخت -بازی توسط قوانین آقای رند – – دیوید کارسون و پایان چاپ – قدیمی ، عجیب و غریب آمریکا راب روی کلی – تماس تلفنی من به آرنولد نیومن – هوارد روارک زندگی می کند – واقعی و جعلی – ده پاورقی به یک مانیفست – نیویورک تایمز : آخرالزمان در حال حاضر ، صفحه A1 – طراحی گرافیک و اطمینان جدید – مارک لومباردی و اکستازی توطئه – جورج کننان و جنگ س
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